Bibliography of academic source material:

Bennett, A., 1999. Subcultures or Neo-tribes? Rethinking the relationship between youth, style, and musical taste. Sociology. 33 (3), pp599-617.

Clark, N., 2015. From the Sex Pistols to Queen: A person’s musical preference provides insight into how they think, says study. [ONLINE] Accessed 23 July 2015. Available at:

Colwell, C. M., 1997. Music as Distraction and Relaxation to Reduce Chronic Pain and Narcotic Ingestion: A Case Study. Music Therapy Perspectives. 15 (1), pp24-31.

Delsing M.J.M.H., Ter Bogt T.F.M., Engels R.C.M.E., & Meeus W.H.J., 2008. Adolescents’ Music Preferences and Personality Characteristics. European Journal of Personality. 22, p109-130. Wiley Interscience.

DeNora, T., 1999. Music as a Technology of the Self. Poetics. 27, p31-56. Cambridge: Elsevier.

Frith, S., 1996. Music and Identity. Questions of Cultural Identity. ed. Hall, S., & du Gay, P.. London: Sage Publications Ltd.

Heddon, D., 2008. Autobiography and Performance. Basingstoke: Palgrave MacMillan.

Jenks, C., 2005. Subculture: The Fragmentation of the Social. London: Sage Publications Ltd.

Lewis, P.A., 2002. Musical Minds. Trends in Cognitive Sciences. 6, p364-366.

McGhee, A., 2013. Creation Stories: Riots, Raves and Running a Label. Basingstoke: Sidgwick & Jackson.

Miranda, D., & Gaudreau, P., 2011. Music listening and emotional well-being in adolescence: A person and variable oriented study. European Review of Applied Psychology. 61 (1), pp1-11.

Miranda, D., 2013. The role of music in adolescent development: much more than the same old song. International Journal of Adolescence and Youth. 18 (1), p5-22. London: Routledge.

Muncey, T., 2010. Creating Autoethnographies. London: Sage Publications Ltd.

Rentfrow, P.J., & Gosling, S.D., 2003. The Do Re Mi’s of Everyday Life: The Structure and Personality Correlates of Music Preferences. Journal of Personality and Social Psychology. 84 (6), pp1236-1256.

Rentfrow, P. J., & Gosling, S.D., 2006. Message in a ballad: The role of music preferences in interpersonal perception. Psychological Science. 17, p236-242.

Reynolds, S., 2005. Rip It Up. London: Faber and Faber.

Reynolds, S., 2011. Retromania. London: Faber and Faber.

Sartre, J.P., 1948. Existentialism and Humanism. York: Methuen.

Schwartz, K.D., & Fouts, G.T., 2003. Music Preferences, personality style, and developmental issues of adolescents. Journal of Youth and Adolescence. 32, p205-213.

Shuker, R., 2004. Beyond the ‘high fidelity’ stereotype: defining the (contemporary) record collector. Popular Music. 23 (3), pp311-330.

Shuker, R., 2013. Understanding Popular Music Culture. 4th ed. Abingdon: Routledge.

Symon, P., 1997. Music and national identity in Scotland: a study of Jock Tamson’s Bairns. Popular Music. 16 (2), pp203-216.

Thomson, P., 2016. Legitimately Speaking: Tastemaking in Contemporary Popular Music Culture. Dissertation (BA (hons)). University of the West of Scotland.

Thornton, S., 1995. Club Cultures. Cambridge: Polity Press.

Wikstrom, P., 2013. The Music Industry. Cambridge: Polity Press.

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